Medical Terminology Daily - Est. 2012

Medical Terminology Daily (MTD) is a blog sponsored by Clinical Anatomy Associates, Inc. as a service to the medical community. We post anatomical, medical or surgical terms, their meaning and usage, as well as biographical notes on anatomists, surgeons, and researchers through the ages. Be warned that some of the images used depict human anatomical specimens.

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A Moment in History

Marcia Crocker Noyes
(1869 – 1946)

Further to my comment on old books and research that started with an interesting bookplate (Ex-Libris). I continued my research and found that the person in charge of the Osler library bookplate was a fascinating individual that today maybe a ghost in the MedChi library and building in Baltimore... This is certainly an article that can be called "A Moment in History"

Marcia Crocker Noyes was the librarian at The Maryland State Medical Society from 1896 to 1946 and was a founding member of the Medical Library Association.[1][2][3]

Sir William Osler, MD. a famous Johns Hopkins surgeon was a noted bibliophile and had a large personal collection of books on various topics. When he became the President of MedChi in 1896, he was dismayed at the condition of the library and knew that with the right person and some stewardship, it could become a significant collection. Sir William asked his friend, Dr. Bernard Steiner, a physician and President of the Enoch Pratt Free Library in Baltimore for suggestions of a librarian, and Dr. Steiner recommended Marcia Crocker Noyes. A native of New York, and a graduate of Hunter College, Marcia had moved to Baltimore for a lengthy visit with her sister, and took a “temporary” position at the Pratt Library, which turned into three years. Although she had no medical experience or background, she was enthusiastic, and most importantly, she was willing to move into the apartment provided for the librarian, who needed to be available 24 hours a day.

The image in this article is Ms. Noyes on her first year on the job. Marcia developed a book classification system for medical books, based on the Index Medicus, and called it the Classification for Medical Literature. The system uses the alphabet with capital letters for the major divisions of medicine and lower-case ones for the sub-sections. The system was used for many years, but it's now dated and the Faculty's original shelving scheme was never changed. The card catalogs still reflect her classification and many of the cards are written in Marcia's back-slanting handwriting.

Marcia knew enough to ask the Faculty's members about medical questions, terminology and literature. She gradually won over the predominantly male membership and they became her greatest allies; Sir William at the start, and then for nearly 40 years, Dr. John Ruhräh, a wealthy pediatrician with no immediate family of his own. She made a point of attending almost every Faculty function, and in 1904, under guidelines from the American Medical Association, Marcia was made the Faculty Secretary. For much of her first 10 years, she was the Faculty's only full-time employee, only being assisted by Mr. Caution, the Faculty's janitor. Later in life Marcia would say that she hired him because of his name!

Within ten years, the library had outgrown its space, and plans, spearheaded by Marcia and Sir William before his move to Oxford, were made to build a headquarters building, mainly to house the library's growing collection of medical books and journals.

Marcia was instrumental in the design and building of the new headquarters. She travelled to Philadelphia, New York and Boston to look at their medical society buildings, and eventually, the Philadelphia architectural firm, Ellicott & Emmart was selected to design and build the new Faculty building. Every detail of the building held her imprimatur, from the graceful staircase, to the light-filled reading room, and all of the myriad details of the millwork, marble tesserae, and most of all, the four-story cast iron stacks. She was on-site, climbing up unfinished staircases, checking out the progress of the building, which was built in less than one year at a cost of $90,000.

Among the features of the new building was a fourth-floor apartment for her. She referred to it as the "first penthouse in Baltimore" and it had a garden and rooftop terrace. The library collection eventually grew to more than 65,000 volumes from medical and specialty societies around the world. Journals were traded back and forth, and physicians eagerly anticipated the arrival of each new issue. At the same time, Marcia was involved in the Medical Library Association as one of eight founding members. The MLA promotes medical libraries and the exchange of information. One of the earliest mandates of the MLA was the Exchange, a distribution and trade service for those who had duplicates or little-used books in their collections. Initially, the Exchange was run out of the Philadelphia medical society, but in 1900 it was moved to Baltimore and Marcia oversaw it. Several hundred periodicals and journals were received and sent each month, a huge amount of work for a tiny staff. In 1904, the Faculty had run out of room to manage the Exchange, so it was moved to the Medical Society of the Kings County (Brooklyn). But without Marcia's excellent administrative skills, it floundered and in 1908, the MLA asked Marcia to take charge once again.

In 1909, when the new Faculty building opened, there was enough room to run the Exchange and with the help of MLA Treasurer, noted bibliophile and close friend, Dr. John Ruhräh, it once again became successful. Additionally, Marcia and Dr. Ruhräh combined forces to revive the MLA's bulletin, which had all but ceased publication in 1908, taking the Exchange with it. This duo maintained editorial control from 1911 until 1926. In 1934, around the time of Dr. Ruhräh's death, Marcia became the first “unmedicated” professional to head the MLA. During her tenure, the MLA incorporated, the first seal was adopted, and the annual meeting was held in Baltimore. Marcia wanted to write the history of the MLA once she retired from full-time work at the Faculty, but her health was beginning to fail. She had back problems and had suffered a serious burn on her shoulder as a young woman, possibly from her time running a summer camp, Camp Seyon, for young ladies in the Adirondack Mountains. In 1946, a celebration was planned to honor Marcia's 50 years at the Faculty. But she was adamant that the physicians wait until November, the actual date of her 50 years. However, they knew she was gravely ill, and might not make it until then, so a huge party was held in April. More than 250 physicians attended the celebration, but the ones she was closest to in the early years, were long gone. She was presented with a suitcase, a sum of money to use for travelling, and her favorite painting of Dr. John Philip Smith, a founder of the Medical College in Winchester, Virginia. It was painted by Edward Caledon Smith, a Virginia painter who had been a student of the painter Thomas Sully.[4] She adored this painting and vowed, jokingly, to take it with her wherever she went.

The painting was not to stay with her for very long, for she died in November 1946, and left it to the Faculty in her will. Her funeral was held in the Faculty's Osler Hall, named for her dear friend. More than 60 physicians served as her pallbearers, and she was buried at Baltimore's Green Mount Cemetery. In 1948, the MLA decided to establish an award in the name of Marcia Crocker Noyes. It was for outstanding achievement in medical library field and was to be awarded every two years, or when a truly worthy candidate was submitted. In 2014, the Faculty began giving a bouquet of flowers to the winner of the award in Marcia's name, and in honor of her work. Much evidence exists for this tradition, as we know that the physicians, especially Drs. Osler and Ruhräh, frequently gave her bouquets of flowers. Marcia also cultivated flower gardens at the Faculty and decorated the rooms with her work.

Today, the MedChi building is open for tours and if the rumors are to be believed Ms. Marcia Crocker Noyes is still at work in her beloved library as the "resident ghost" [1][5]

Marcia Noyes handwriting

NOTE: This article has been modified from the original Wikipedia article on Marcia Crocker Noyes. The article itself is well-written with interesting images of the subject. I would encourage you to visit it. The second insert is from book 00736 in my personal library and shows in pencil, the incredibly small handwriting of Marsha C. Noyes.

Sources:
1. "Marcia, Marcia, Marcia" MedChi Archives blog.
2. "Marcia C. Noyes, Medical Librarian" (PDF). Bulletin of the Medical Library Association. 35 (1): 108–109. 1947. PMC 194645
3. Smith, Bernie Todd (1974). "Marcia Crocker Noyes, Medical Librarian: The Shaping of a Career" (PDF). Bulletin of the Medical Library Association. 62 (3): 314–324. PMC 198800Freely accessible. PMID 4619344.
4. Edward Caledon BRUCE (1825-1901)"
5. Behind the scenes tour MedChiBuilding


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This article is part of the series "A Moment in History" where we honor those who have contributed to the growth of medical knowledge in the areas of anatomy, medicine, surgery, and medical research.

The following article was written by my good friend Pascale Pollier-Green and it recounts the long road that has taken her and other Vesaliana followers all over the world, and has resulted in the publication of the book "In the Shadow of Vesalius". Dr. Miranda

The concept behind the book “In the shadow of Vesalius” is probably best described by the opening address of the editor and one of the authors, Professor Robrecht Van Hee. Following here are a few excerpts from his transcript:

Pascale Pollier
Pascale Pollier-Green, author of this article

“The quincentenary of Vesalius’s birthday in 2014 has been characterized by a flow of colloquia and publications on the Flemish anatomist, often presenting new insights concerning his life and death, as well as concerning his works and iconography.

This revival of interest has subsisted and induced new symposia and initiatives, resulting in new congress proceedings and publications, reflecting the search of an increasing number of scholars into the anatomical, social, and artistic influences of Vesalius and his  opus magnum book "De Humani Corporis Fabrica Libri Septem" on 16th century and later scientific evolution.”

This book focuses on some of these anatomists, artists, publishers and other personalities, who in different ways remained in the shadow’ of Vesalius.

This is most pertinent in the case of Vesalius’s collaborator and artist Jan Steven van Calcar, whom Vesalius only mentioned as ‘his friend’, but was probably responsible for at least an important number of the plates and figures in the famous Fabrica and Epitome.  This gradually gains momentum enhanced by a recently found drawing (figure 1) which is commented on in the book by Caiati and co-workers, and is believed to be a preliminary sketch  by Jan Steven van Calcar of one of the most iconic drawings in the Fabrica, namely the so-called ‘Philosopher’. (see image)

It is in this light that I would like to take a few people out of the shadows and bring them into the spotlight, and by this, explaining how this book came about.

Image attributed to Jan Stephan Van Calcar
Click on the image for a larger version

I first was introduced to Bob Van Hee in 2006 by Ann Van de Velde. Professor Robrecht H. Van Hee who is a surgeon and medical historian, with over 160 publications to his name, has always had a special interest in Andreas Vesalius.  In 2005 he promoted Vesalius for a television contest programme about “Who’s the most famous Belgian in history”.  

In 2007 Ann and I were organizing the AEIMS conference Confronting Mortality with Art and Science”. This conference brought together a group of artists, scientists and medical illustrators.

Bob van Hee and anatomist Francis Van Glabbeek both gave excellent lectures on Vesalius, Triverius and Philip Verheyen during a nocturnal visit to the Plantin Moretus museum in Antwerp.

It was also at this conference I invited Joanna Ebenstein to give a talk on her then new project” The morbid anatomy library blog” which has grown into the amazing art /science platform it is today.

The conference was such a success that we decided to set up BIOMAB, Biological and Medical Art in Belgium,  with a teaching programme ARSIC ( art researches science international collaborations) .

BIOMAB would never have seen the light of day if it wasn’t for the energy, and drive and fearless enterprising spirit of hematologist and medical artist; Dr. Ann Van de Velde. Over the years we have organized many dissection drawing workshops, exhibitions, conferences, made films and books and have written many articles and given many lectures. Our article in the book  “Anatomical Drawing From Cadavers – Limb by Limb Removed -- Brought Us Together” elucidates our collaborations and our intension and achievements.

Anatomist and surgeon Professor Francis Van Glabbeek, founding member and currently President of BIOMAB, and a passionate collector of antiquarian medical books, has been a driving force in continuing Vesalius’s legacy by bringing artists together with scientists, and, in the spirit of Vesalius, teaching anatomy from direct observation. I remember the first meeting with Francis with much fondness. He lovingly showed me a first edition of the Fabrica and spoke with so much passion and knowledge about the work and influence that Vesalius and the Fabrica still have on anatomy today.

This article continues HERE